The model used for The Days of Creation and Laus Veneris. The girl in Laus Veneris, second from the left in the group of four women is nearest, although her face is turned slighter more away. The spontaneity of the drawing, with its lively curious gaze, has been converted in the painting to a sculptural solemnity. Burne-Jones has eliminated the personality of the sitter in favour of non-specific idealism.