This striking design for one of four panels in the lower part of a window is in the nave at Jesus College Chapel, Cambridge. They symbolise the passions, contrasted with emblematic figures of contemplative Christian virtues above. In Burne-Jones s account book, undated but after September 20, 1875, is the record: "Injustice — a panel to go under Justice £10. Fear, under Fortitude £10. Folly, under Prudence £10. Rage, under Temperance £10. " r There are few cartoons as dramatic as these among Burne-Jones s work for Morris, and even on a north wall their glowing colours and sense of dynamic tension are remarkable. By this date Burne-Jones found it irresistible to complete such designs for stained glass as drawings in their own right, employing, for example, a fineness of line in the ends of both figures' flying hair that could not possibly be matched by the firms glass painters. This he did not only for his own satisfac- tion but in homage to the art of the Renaissance, which was his inspiration. The animated contrapposto is particularly reminiscent of such compositions as Raphael's Massacre of the Innocents (ca. 1511; British Museum, London), which Burne- Jones would have known through Marcantonio Raimondi's engraving (ca. 1513-15). He was a passionate collector of engravings and photographs, and in a letter of 1871 he wrote enthusiastically about a catalogue sent to him by the American scholar and connoisseur Charles Eliot Norton (1827-1908): "I want them all. Select some for me, will you . . . the more finished the better. ... I like the Florentine men more than all others. ... If Ghirlandajo [sic] draws sweet girls running, and their dresses blown about, O please not to let me lose one." 2 The connection has also been made with the type of clinging drapery on figures from the fifteenth-century inlaid-marble floor of Siena Cathedral, which Burne-Jones saw on his final trip to Italy in the spring of 1873, and carefully recorded in a sketchbook now in the Fitzwilliam Museum, Cambridge. 3 1. Sewter 1974-75, vol. 2, p. 44; the equivalent cartoons for Injustice and Fear are in the Victoria and Albert Museum (ibid., vol. 1, pis. 439, 441; Fitzwilliam Museum 1980, nos. 71, 72). 2. Memorials, vol. 2, pp. 20-21. 3. Robinson 1975a, p. 348, figs. 2, 4