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After Sir Edward Coley Burne-Jones, By Frederick Hollyer, After Morris & Co.
Virgin Mary stained glass design for Albion United Reformed Church, Ashton under Lyne, Lancashire
Platinotype on paper
1895
Merton Abbey, London, England
Dimensions: 27 cm x 10.5 cm
Collection Categories
Morris, Marshall, Faulkner & Co. and Morris & Co., Stained Glass - Designs and sketches
Inscribed recto upper left in black ink: "No. 93" recto upper center in black ink: "F.P. 461" recto below photo in black ink: "NO NUMBER [crossed out] W.B. 57" and recto upper left in black ink: "No 93" recto upper center in black ink: "F.P. 461" recto below photo in black ink: "NO NUMBER [crossed out] W.B. 57" and recto upper left in black ink: "86" recto upper left in graphite: "86" recto upper center in black ink: "461a" recto upper right in black ink: "Albion Ch (Ashton-n-Lyne" recto upper right in black ink on white paper: "F.007" recto lower center in black ink over graphite: "Mary V."
Expertise
Provenance
Exhibitions
Bibliography
No data available
Owner
Dates Owned
Further Info.
and
Accession
no.
circa
Morris & Co.
1892
Sanford Lionel (Sandy) Berger
1999
Huntington Library, Art Collections, and Botanical Gardens - The Huntington
1999 - Present
2000.5.2058 And 2000.5.2059 and 2000.5.2613 William Morris Collection
No data available
Title
Author/Editor
Year
Page No. & Illustrations
Attachments
The Stained Glass of William Morris and His Circle, 2 vols (1974 & 1975 - Catalogue)
Albert Charles (A. C.) Sewter
1974
vol II pp. 11-12
The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination
Fiona MacCarthy
2011
pp. 34, 50, 79, 129-132, 152-154, 159, 175, 183-185, 217, 258, 260-261, 270, 319, 314, 344, 347, 361, 385, 387-388, 403-404, 423, 429, 435, 471, 506, 523, 531