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After Sir Edward Coley Burne-Jones, By Frederick Hollyer, After Morris, Marshall, Faulkner and Co.
Aaron stained glass design from the church of St Martin-on-the-Hill, Scarborough, North Yorkshire
Platinotype on paper
1872
Merton Abbey, London, England
Dimensions: 14.6 cm x 6 cm
Collection Categories
Morris, Marshall, Faulkner & Co. and Morris & Co., Stained Glass - Designs and sketches
Inscribed recto upper left in black ink: "No. 78" recto upper right in black ink: "F.P. 160" recto upper right in graphite: "Aron" recto upper right in green ink: "M.0064" recto lower center in black ink: "62 or 16 [crossed out]" recto lower center in graphite: "Aaron"
Expertise
Provenance
Exhibitions
Bibliography
03/11/2019
Owner
Dates Owned
Further Info.
and
Accession
no.
circa
Morris, Marshall, Faulkner and Co.
1872-1875
Morris & Co.
1875
Sanford Lionel (Sandy) Berger
1999
Huntington Library, Art Collections, and Botanical Gardens - The Huntington
1999 - Present
2000.5.2198 William Morris Collection
No data available
Title
Author/Editor
Year
Page No. & Illustrations
Attachments
The Stained Glass of William Morris and His Circle, 2 vols (1974 & 1975 - Catalogue)
Albert Charles (A. C.) Sewter
1974
vol I pl. 391 vol II pp. 168-171
The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination
Fiona MacCarthy
2011
pp. 34, 50, 79, 129-132, 152-154, 159, 175, 183-185, 217, 258, 260-261, 270, 319, 314, 344, 347, 361, 385, 387-388, 403-404, 423, 429, 435, 471, 506, 523, 531