Circular tile. Buff earthenware, slip-coated, glazed and painted in blue, yellow, sage green, flesh-pink and black enamel colours. A head and shoulders painted portrait of a woman, drawn in black, set on a deep blue ground. Her long, wavy, blonde hair is tucked behind her ear and she wears a green cap and gown. She holds a scroll of music in her right hand. Around her head is an elaborate halo, inscribed 'SANCTA CECILIA'. The glaze is dull, the sides of the tile are unglazed and the back is flat and rough. Cut down 6 inch tile. Edward Burne-Jones (1833-1898) adapted the design for this roundel from his series representing the heads of Chaucer and six of the author’s 'Goode Wimmen'; four of these drawings are in the collection of the Birmingham Museum and Art Gallery. It was not unusual for designs to be adapted for different commissions, and Burne-Jones also used this series in designing an embroidered frieze and stained glass roundels. Saint Cecilia is the patron saint of musicians and Church music, and it has been suggested that her features here bear a marked resemblance to those of Morris’s wife, Jane. Tradition has it that this tile and that of Penelope (C.3-1922), were painted by the Kate Faulkner (d. 1895), who worked for William Morris and others as a painter and designer, as did her sister Lucy (see Robinson). Their brother Charles Faulkner (1833–92) was a partner of Morris and Burne-Jones in the firm Morris, Marshall, Faulkner & Co from 1861-74, though not actively involved after he returned to academic life in 1864. The tiles were given by the Arts & Crafts furniture maker Edward Barnsley (1900-1987).