Introduction & Guide
Burne-Jones Studio
Artworks
Articles & Theses
Exhibitions
Bibliography
Names
Artists and People
Companies and Institutions
About
William Waters
Trustees
Sponsors
Contact
Donate
Login
Register
Back
After Sir Edward Coley Burne-Jones, By Lavers and Barraud (and Westlake)
The Annunciation design for stained glass for St Columba's church, Topcliffe, St Andrew's church, Cobham and Christ Church Surbiton, fourth version belonged to William Burges.
oil on canvas
1860 circa
Dimensions: 53.4 cm x 19.5 cm
Collection Categories
Oils, tempera on canvas/panel and Mixed Media, Stained Glass - Designs and sketches
Inscribed on scroll in angel's right hand: AVE MARIA DOMINUS EST TECUM
Expertise
Provenance
Exhibitions
Bibliography
No data available
Owner
Dates Owned
Further Info.
and
Accession
no.
circa
Birmingham City Museum and Art Gallery
1927
1927P406 bequeathed by James Richardson Holliday, 1927
James Richardson Holliday (mispelt Holiday)
1927
Exhibition
Catalogue no, Page no, Illustration no.
Institution/Venue
People
From
To
The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones 1833-1898 (1975-6)
cat no. 61 pp.34-35
The Hayward Gallery
November 1975
January 1976
The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones 1833-1898 (1975-6)
cat no. 61 pp.34-35
Southampton City Art Gallery
January 1976
February 1976
The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones 1833-1898 (1975-6)
cat no. 61 pp.34-35
Birmingham City Museum and Art Gallery
March 1976
April 1976
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
Oklahoma City Museum of Art OKCMA
October 2018
January 2019
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
Vero Beach Museum of Art VBMA
February 2019
May 2019
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
Seattle Art Museum
June 2019
September 2019
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
The San Antonio Museum of Art SAMA
October 2019
January 2020
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
Yale Center for British Art and Rare Books and Manuscripts Repository (Yale University Art Gallery)
January 2020
May 2020
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
The Frick Pittsburgh - Frick Art & Historical Center
November 2021
January 2022
Title
Author/Editor
Year
Page No. & Illustrations
Attachments
Fine Art Gossip The Athenaeum 27 October 1860
Anon
1860
p. 557
Stained Glass The Builder 13 October 13 1860
Anon
1860
p. 661
The Buildings of England. Yorkshire. The North Riding
Nikolaus Bernhard Leon Pevsner
1966
p. 373
Burne-Jones
William Waters, Martin Harrison
1973
illus colour fig. 3 between pp. 26-27
The Stained Glass of William Morris and His Circle, 2 vols (1974 & 1975 - Catalogue)
Albert Charles (A. C.) Sewter
1974
vol I pls. II (in colour), 10 vol II p. 3
Burne-Jones: the paintings, graphic and decorative work of Sir Edward Burne-Jones 1833-98, Hayward Gallery, Southampton City Art Gallery, Birmingham City Museum and Art Gallery 1975-6
John Christian, Miss Penelope Marcus
1975
cat no. 61 pp.34-35
The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination
Fiona MacCarthy
2011
p. 78
Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement, 145 works from the collections of the city of Birmingham
Professor Tim Barringer, Courtney Skipton Long, Martin Ellis, Victoria Osborne
2018
Edward Burne-Jones - part 1, Art & Artists
Paul Webb
2020
Pre-Raphaelites Drawings and Watercolours (Ashmolean Museum)
Professor Christiana Payne, Dr Fiona Mann, Robert Wilkes, Dr Alexander Sturgis (Xa Sturgis)
2021
illus fig. 37 p. 46