Previously incorrectly thought to be a portrait of the artist's wife. The style of drawing which can be dated to the late 1880s or early 1890s, would eliminate any possibility of it being her, Georgiana was a much more petite figure and significantly older at this date. The facial likeness and the downward gaze are strikingly similar to those in the painting of Lady Windsor (1893-5) and the draperies are allied to those in the final portrait.