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After Sir Edward Coley Burne-Jones, By Morris, Marshall, Faulkner and Co.
Amor and Alcestis (Love and Martyrdom) Good Women stained glass Peterhouse College Combination Room Cambridge
Enamelled stained glass, lead
1869
Collection Categories
Morris, Marshall, Faulkner & Co. and Morris & Co., Stained Glass
Expertise
Provenance
Exhibitions
Bibliography
No data available
Owner
Dates Owned
Further Info.
and
Accession
no.
circa
Peterhouse College Cambridge
No data available
Title
Author/Editor
Year
Page No. & Illustrations
Attachments
Burne-Jones, Fortunée de Lisle
Fortunée de Lisle
1904
p. 195 says it belongs to V&A
Burne-Jones
William Waters, Martin Harrison
1973
Caption to fig. 97 p. 76
The Stained Glass of William Morris and His Circle, 2 vols (1974 & 1975 - Catalogue)
Albert Charles (A. C.) Sewter
1974
vol I pl. 198 vol II pp. 44-46
John Ruskin and Victorian Art
James S Dearden
1993
Cat no 217 illus pl. 236
William Morris Tiles: The Tile Designs of Morris and His Fellow-Workers
Richard and Hilary Myers
1996
Fig. 126 p. 79
Edward Burne-Jones: Victorian Artist-Dreamer
John Christian, Stephen Wildman, Laurence des Cars, Alan Crawford, Philippe de Montebello, Irene Bizot, Graham Allen, Henri Loyrette
1998
under cat no. 29 pp. 97-98 illus p. 97
Hidden Burne-Jones, Works on paper by Edward Burne-Jones from Birmingham Museums and Art Gallery
Professor Elisa Korb, Tessa Sidey, John Christian
2007
B60 p. 64
Sick-sad dreams: Burne-Jones and Pre-Raphaelite Medievalism
Professor Colin Cruise
2010
illus fig. 2 p. 132
Edward Burne-Jones, バーン・ジョーンズ展 (Japan 2012)
Stephen Wildman, Professor Joichiro Kawamura (The K Collection)
2012
cat no. 5 illus p. 39