Monday 9th Jny 44 Grosvenor Place, S.W. My dear Jones Many thanks for your very kind note and offer to finish the two litde sure I need not tell you how entirely I am conscious of the unmercenary you I think unaware of my feeling that all your work is worth more than leave out the more in Rossetti's case) and so any question of price should anxiety, except only in so far as I must always feel anxious that your dear fullest advantage possible of the work you do. And now about the little Singers. I only looked at them in the light of organ here, whose wretched Alhambra conventionality staring me in the and a vexation! And therefore I only considered the cost of them in relation purpose and not as a question of intrinsic value at all. I shall be too pleased you think the enclosed £ 500 will fairly repay any litde additional work and if when done they really promise to be worth more money we can try and the sum in that case go 'to account' - So that is all right - Meantime if some day you would look at the organ and tell me how to is or how we should adapt it to the little singers if they should come to it it on coming home the other evening and found they would not do at would not fit into the present case, or be in keeping with it. You cannot [b23] grows on us all. Have you not some of the Pygmalion set [b2j ] Have you ever thought any more of the pendant for my little Tintoretto try and imagine. Ever with kind regards Yours Sincerely W. Graham 1 See EBJ notebook, p. 15: '1871: Two circles of singing boys & girls. Bell, 1895, p. 109: Circles of Singing Children (2): watercolour. 1871.'