Inscribed: Triumph of Virtues over the corresponding Vices ...? with sword or spear or scourge The first example of Burne-Jones copying the personification of Virtue standing upon Vice, which became the source for the 1865 stained glass window in St. Mary and All Saints Church, Sculthorpe. There are sketches of sculptures from the Chaperhouse at Salisbury Cathedral in a sketchbook held in the V & A dating from c.1865 (Sketchbook V&A E3.1955). John Christian has pointed out in footnote 77 of his article "Early German Sources for Pre-Raphaelite Designs", that this sketch is of Debonerete or Meakness "One of the Virtues on the jambs of the windows in the thirteenth century frescoes in the Painted Chamber in the Palace of Westminster. These were destroyed in the fire of 1834. Burne-Jones' choice of this particular figure probably reflects the interest which it held for Ruskin, ... The copy may in fact have been taken from the same record of the lost painting that Ruskin used - one of the watercolour copies by Edward Crocker, Clerk of Works, made during alterations at Westminster Hall in 1819." These entered the Ashmolean Museum, Oxford, collection in 1863.