The design made circa 1863 was not used, but later adapted for Ruskin's, Studies in Both Arts, in 1895 by Arthur Severn ( or William Gersham Collingwood 1854-1932, who , under Ruskin's guidance, selected the illustrations). The flowers illustrated in the design are as follows: - Top row: Madonna lily, Iris Middle row: Pansy, Daisy, Marigold Bottom row: Anemone, Wild Rose The hidden language of flowers on the cover design bears a relevance to the subject of the book. Top row: Candor or purity, message Middle row: Thoughts, innocence, despair Bottom row: Expectation, ephemeral beauty (Phillips "Floral Emblems", pub 1825)