In 1469, Gozzoli moved to Pisa and began working on his most extensive commission: the vast series of mural paintings in the Campo Santo edifice of Pisa. There, he depicted twenty-four subjects from the Old Testament, ranging from the Invention of Wine by Noah to the Visit of the Queen of Sheba to Solomon. He was contracted to paint three subjects per year for about ten ducats each. It appears, however, that this contract was not strictly adhered to, for the actual rate of painting was only three pictures in two years. Perhaps the great multitude of figures and accessories was accepted as a set-off against the slower rate of production. By January 1470 he had executed the fresco of Noah and his Family, followed by the Curse of Ham, the Building of the Tower of Babel (which contains portraits of Cosimo de' Medici, the young Lorenzo, Angelo Poliziano and others), the Destruction of Sodom, the Victory of Abraham, the Marriages of Rebecca and of Rachel, the Life of Moses, etc. In the Cappella Ammannati, facing a gate of the Campo Santo, he also painted an Adoration of the Magi, wherein appears a portrait of himself.
Image illustrated here is of Lasinio's engravings after the Gozzoli fresco Burne-Jones visited Pisa on his 1871 tour of Italy noted in Memorials vol 2 p 25-26