Burne-Jones was a regular attendant at the British Museum and the South Kensington Museum (V&A) in order to study the objects and copy from books in the collections. Three studies taken from one sculpture of a baby, which was probably used as the basis for the amorini at the top of Quia Multum Amawit (The Temple of Love, Tate Gallery). or possibly for the stained glass window design of Charity for the Old West Kirk, Greenock 1868-9. which Burne-Jones subsequently made into a painting. 1867-1871 (Private collection).