The design of July 1862 is considerably different from the cartoons of August the same year. There must have been some discussion regarding the suitability of the design, however beautiful, regarding its relationship to the actual shape of the window. Burne-Jones modified the design by enlarging the figures and having them bending in an arch thus occupying the entire area. A similar situation arose with the Paradise window at Lyndhurst, which indicates how Burne-Jones was becoming accustomed to design for stained glass in adapting the size of his figures to occupy the space available. The model for the Virgin was Georgiana.