Fitzwilliam Account Book 1890 1 Jany : Marylebone 140 The design was re-used at St Michael and All Saints, Ledbury in 1912 from which the above colour images are taken c 2020. Burne-Jones was paid £140 for the two Angels either side of the Shepherd and the figure of the Good Shepherd himself. The figure is uncharacteristically lost amidst the background, which is here attributed to J H Dearle. The current location of this cartoon is unknown.
Set into its three central lights is a large round-headed stained glass panel depicting The Good Shepherd by William Morris, 1890, from a design by Burne Jones. This window originally came from the Haweis Chapel of St James's, Westmoreland Street, Marylebone was reset here in 1914 (see 'The Stained Glass of Wiliam Morris and his Circle- A Catalogue', A.C.Sewter, Yale University Press, 1975).
Set into its three central lights is a large round-headed stained glass panel depicting The Good Shepherd by William Morris, 1890, from a design by Burne Jones. This window originally came from the Haweis Chapel of St James's, Westmoreland Street, Marylebone was reset here in 1914.
Originally designed for a three-light window in memory of R H Souter for a chapel in St. James’s Church, Marylebone, London. When the church was demolished in 1914, the window returned to the dedicatee’s family. In the same year, Miss Souter gave the central light, The Good Shepherd, to All Saints, Twickenham East, where it was installed as part of the west window; subsequently, she gave the two sidelights to her friend, Cyril Scott, the composer. Scott installed them in his London house, and in 1949 gave them to the Methodist Chapel at Exford in Somerset. In 1979, the Chapel closed and was converted into a tearoom; the windows were removed and sold, finally coming to the Whitworth in 1987.