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After Sir Edward Coley Burne-Jones, By James Hodgson Burrow, By James Gwynn, By James Powell and Sons (Whitefriars Glass Company), By Caroline Oakman
St Frideswide (The Legend of St Frideswide, scenes from the Life of St Frideswide) stained glass East Window of the Latin Chapel Christ Church Cathedral, Oxford
enamelled stained glass, lead
1859
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By Other Artists/Individuals/Makers/Institutions etc, Stained Glass
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1a St Frideswide and her Companions.
1b St Frideswide founding her first Convent.
1c A Messenger from the King of Mercia.
1d The King comes to take her by force.
2e The Flight of St Frideswide to Abingdon.
2f The Flight of St Frideswide to Abingdon.
2g The King of Mercia and his soldiers in pursuit.
2h St Frideswide taking refuge in a pig sty.
3i The flight of St Frideswide to Binsey.
3j The King of Mercia in pursuit.
3k St Frideswide founding a new Convent at Binsey.
3l Her merciful deeds.
4m The return of St Frideswide to Oxford.
4n The siege of Oxford by the King of Mercia.
4o The siege of Oxford by the King of Mercia; the King struck blind.
4p The Death of St Frideswide.

Christ Church Cathedral, University of Oxford
30/01/2021

As Eve Blau observes on p. 142 of "Ruskinian Gothic The Architecture of Deane and Woodward 1845-1861" The window was "erected on the bequest of Dr. John Bull who died in 1858," but she incorrectly states "the fault for the overcrowding of the small panels was Woodward's".

Benjamin Woodward (1816-61) was commissioned in 1860 by the Dean of Christ Church to design the stonework for the St Frideswide window at the east end of the Latin Chapel in Christ Church Cathedral. According to Blau, Woodward gave Burne-Jones the wrong set of measurements for the window apertures. However, the incorrect scale and overcrowding of the figures is entirely due to Burne-Jones's inexperience designing for the medium.

The tracery above the four lights contains the following;
Top roundel is the Ship of Souls.

Five pointed light left:
The Garden of Eden with the serpent in the tree baring an inscription on a scroll "Arbor scientiae" meaning "Tree of Knowedge (or Science)". Above flames, a symbolof Hell Burne-Jones has taken the idea of the Tree of Knowledge from The Tree of Science (Arbre de la ciència, Arbor Scientiae) a work by Ramon Llull (1232-1316) that he wrote in Rome between 1295 and 1296, The image include here is taken from a 1505 edition.

Five pointed light right: Kneeling Angels on either side of a tree inscribed on a scroll with "Arbor Vitae" meaning "Tree of Life", above clouds, a symbol of Heaven, also taken from Ramon Llull.

Three small lights containing Angels, one holding the Sun, one holding the Moon and three other Angels in Chorus.

William Waters
07/01/2024

James Powell & Sons, The Whitefriars Glass Company The Account Book of Window Dept 1845-1868 - on page 135 for December 1860 are the accounts for the St Frideswide window in Christ Church, Oxford:
135 December 1860.
15 The Very Rev.d The Dean of Christchurch Oxford.
Four light window & tracery. Painted from
Mr Jones designs of the Legend of St Fridewide.
Fletcher lights 4 - 10" 2 1/4 x 2" 4 = 95.8.
Tracery 1 - 3" 9 x 3" 7 1/2 = 13.9.
- 2 - 3" 7 1/4 x 3" 2 = 23.3.
- circular 2 - 1" 0 1/4 x 1" 0 1/4 say 2.0.
- circular 1 1" 2 1/4 x 1" 2 1/2 say 2.4.

134.4.

Miss Oakman reducing drawings 15 days.
Mr Grieve Painting & sorting glass 181.
Mr Burrow Painting etc 159.
Gwynne cutting glass 83.
Fletcher glazing & fixing.

... (costing of the window).

A/c 1/1/61 to T N Deane Esq.
Upper Mission St. Dublin.

It would appear from this entry that the window cost £287 in total.

James Powell and Sons (Whitefriars Glass Company)
31/03/2025
Owner Dates Owned Further Info. and Accession no. circa
Christ Church Cathedral, University of Oxford 1859 - Present
Title Author/Editor Year Page No. & Illustrations Attachments
The Athenaeum March 3 1860 1860
p 309
Fine Arts The Athenaeum 20 October 1860 Anon 1860
p 521
Stained Glass - Christ Church Cathedral, The Builder 11 August 1860 Anon 1860
p 517
Oxford University and City Herald 11 August 1860 Anon 1860
Fine Art Gossip The Athenaeum 15 June 1861 Anon 1861
p 804
Sir Edward Burne-Jones: An Illustrated Record and Review 2nd Edition 1893 Malcolm Bell 1893
p. 27
Artifex. Journal of the Crafts Volume 1, 1968 John Gordon-Christian 1968
p 38
The Stained Glass of William Morris and His Circle, 2 vols (1974 & 1975 - Catalogue) Albert Charles (A. C.) Sewter 1974
illus. vol I pls. III (colour), 19, 20-23; vol II p. 2
Ruskinian Gothic The Architecture of Deane and Woodward 1845-1861 Eve Blau 1982
p 142-143
Selected Letters of William Michael Rossetti Professor Roger W Peattie 1990
pp. 107-108
William Morris: A Life for Our Time Fiona MacCarthy 1994
pp. 173, 228, 248, 254
Burne-Jones: The Life and Works of Sir Edward Burne-Jones (1833-1898) Christopher Wood (Christopher Edward Russell Wood) 1998
illus p 23
Hidden Burne-Jones, Works on paper by Edward Burne-Jones from Birmingham Museums and Art Gallery Professor Elisa Korb, Tessa Sidey, John Christian 2007
B941 p. 89
Stained Glass Workers employed by James Powell & sons and by Morris, Marshall Faulkner & Company and Morris & Company: A Biographical Listing Tony Benyon 2011
pp. 242-244
The Last Pre-Raphaelite, Edward Burne-Jones and the Victorian Imagination Fiona MacCarthy 2011
pp. 77, 129, 477
Angels and Icons Pre-Raphaelite Stained Glass 1850-1870 William Waters, Alistair Carew-Cox 2012
Illus pls. 174-136 pp. 252-253
Damozels & Deities, Edward Burne-Jones, Henry Holiday & Pre-Raphaelite Stained Glass 1870-1898 William Waters, Alistair Carew-Cox 2017
illus pl. 52 p. 60
The Edward Burne-Jones St Frideswide Window Ruth Buckley 2021
Illus throughout plus details


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