The Birmingham Museum and Art Galley identification made by Whitley in 1939 incorrectly identifies this drawing as being a study for two figures ,in the lower part of the left main light of the chancel east window, St Michael and All Angels, Lyndhurst, Hampshire. A more detailed consideration of the drapery structure and of the the female nude figure outlined to the left, brings it closer to the design made for the east window, lower left panel in St John the Evangelist Church, Torquay of 1865. In this window some of the Lyndhurst figures were actually re-used but there was no indication that any of the figures were Tobias and the Angel as stated in "Hidden Burne-Jones" p 89, Acc. no B973. In the re-drawing of the two figures there is a hint in the presentation of the girl's dress of the neo-classicals style the artist was entering. Perhaps the changes made from the Lyndhurst scheme with the four Maries at its centre, to virgins, matrons and children in the equivalent position at St John the Evangelist, Torquay, were due to both the artist's re-appraising his sources and the secular femininity of the central panel.