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By Sir Edward Coley Burne-Jones
Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ stained glass design for St Michael and All Angels church, Lyndhurst, Hampshire
1863 circa
Dimensions: 17.9 cm x 33.5 cm
Collection Categories
Drawings and studies, Stained Glass - Designs and sketches, Works on Paper / Vellum
Inscribed by Fairfax Murray: EB-J
Expertise
Provenance
Exhibitions
Bibliography
No data available
Owner
Dates Owned
Further Info.
and
Accession
no.
circa
James Richardson Holliday (mispelt Holiday)
1927
Tate Britain - The Tate Gallery - Tate
1927 - Present
A00091 Bequeathed by J.R. Holiday 1927
Exhibition
Catalogue no, Page no, Illustration no.
Institution/Venue
People
From
To
Burne-Jones Watercolours and Drawings, Tate 1993
cat. no. 21
Tate Britain - The Tate Gallery - Tate
September 1993
November 1993
Title
Author/Editor
Year
Page No. & Illustrations
Attachments
The Stained Glass of William Morris and His Circle, 2 vols (1974 & 1975 - Catalogue)
Albert Charles (A. C.) Sewter
1974
vol I pls. 131, 135 vol II pp. 124-125
Burne-Jones Watercolours and Drawings. Booklet for the exhibition by Ian Warrell. Tate Gallery, London. 1993
Dr Ian Warrell
1993
cat. no. 21
The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination
Fiona MacCarthy
2011
p. 184
Edward Burne-Jones - part 3, Art & Artists
Paul Webb
2020