The Making of a Triptych: The Annunciation and Adoration of the Magi 1861 by Edward Burne-Jones
2022
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Selected Publications
Tate Papers ISSN 1753-9854
Selected Authors/Editors
Ms Rachel Scott
Dr Fiona Mann
Miss Katherine Hinzman
Joyce H. Townsend
Alistair Johnson
Selected Artists
Sir Edward Coley Burne-Jones
Selected Artworks
Adoration of the Kings (King in armour, model Ciamelli.) and Shepherds (centre); The Annunciation (wings, Adoration of the Kings, Adoration of the Magi altarpiece) triptych first version originally intended for St Paul's church, Brighton, but a second version was painted for them (The Annunciation and the Adoration of the Magi)
Study of the Head and Shoulders of a Female Attendant in profile looking right for The Adoration of the Kings (The Adoration of the Magi)
A study of a Head and shoulders of a Girl in profile facing right c. 1861
Georgiana Macdonald (1840-1920, Lady Georgiana Burne-Jones) in 1856 aged 16, at the time of her engagement to Edward Burne-Jones
An Upright piano decorated by Burne-Jones Ladies and Death (Death and the Maidens) 1860
Great bookcase (upper central panel by Burne-Jones with others - third image)
The Adoration of the Kings and Shepherds (centre); The Annunciation (wings), triptych (Adoration of the Magi altarpiece) second version for St Paul's church, Brighton (The Annunciation and the Adoration of the Magi)
Head of a Man c.1861
The Blessed Damozel - oil sketch
The Annunciation scene from Giotto’s fresco cycles in the Arena Chapel, Padua, c.1305
Adoration of the Kings