The Making of a Triptych: The Annunciation and Adoration of the Magi 1861 by Edward Burne-Jones
2022
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Selected Publications
Tate Papers ISSN 1753-9854
Selected Authors/Editors
Ms Rachel Scott
Dr Fiona Mann
Miss Katherine Hinzman
Joyce H. Townsend
Alistair Johnson
Selected Artists
Sir Edward Coley Burne-Jones
Selected Artworks
The Adoration of the Kings and Shepherds (centre); The Annunciation (wings), first version originally intended for St Paul's church, Brighton, but a second version was painted for them (The Annunciation and the Adoration of the Magi)
St Paul's Church Brighton showing the second version of the triptych The Annunciation and the Adoration of the Magi (The Adoration of the Kings and Shepherds (centre); The Annunciation (wings)
Study of the Head and Shoulders of a Female Attendant in profile looking right for The Adoration of the Kings (Magi)
A study of a Head and shoulders of a Girl in profile facing right c. 1861
Georgiana Macdonald (1840-1920) in 1856 aged 16, at the time of her engagement to Edward Burne-Jones
An Upright piano decorated by Burne-Jones Ladies and Death (Death and the Maidens) 1860
Great bookcase (upper central panel by Burne-Jones - third image)
The Adoration of the Kings and Shepherds (centre); The Annunciation (wings), second version for St Paul's church, Brighton (The Annunciation and the Adoration of the Magi)
Head of a Man c.1861
The Blessed Damozel - oil sketch
The Annunciation scene from Giotto’s fresco cycles in the Arena Chapel, Padua, c.1305
Adoration of the Kings