Sir Edward Burne-Jones von Cornelius Gurlitt
1900
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Selected Publications
Die Kunst unserer Zeit Eine Chronik des Modernen kunstlebens 1900
Selected Authors/Editors
Cornelius Gurlitt
Selected Artists
Sir Edward Coley Burne-Jones
Selected Artworks
The Morning of the Resurrection oil on panel Second Version
The Days of Creation, platinotypes
Perseus Series Study of Head of Medusa in The Finding of Medusa
Study of Head of Minerva (Athena) in The Call of Perseus, Perseus series
Love Among the Ruins (first version), The models were Maria Zambaco, Alessandro di Marco and Antonia Caiva
Drapery study - Two seated draped figures
The Mourning of Eurydice - The Dead Orpheus Mourned by Maidens - The Death of Orpheus at the hands of the Ciconian Women - from The Graham Piano
Pygmalion and the Image: III. The Godhead Fires Second Series
Study for The Rose Bower, The Briar Rose: - Sleeping Beauty, The Sleeping Princess for the Briar Rose Series
The Mirror of Venus 1877 (Venus's Looking Glass)
Cupid and Psyche - Cupid Finding Psyche Asleep - Cupid discovering Psyche
Wood Nymph
Study for the Head of Yseult (Iseult, Isoude, Isolde) for the unfinished painting Tristram and Yseult
Portrait of Amy Gaskell looking right.
The Golden Stairs painting
Summer, The Four Seasons (The Lapse of the Year), Maria Zambaco the model
Pan and Psyche, Cupid and Psyche series (Fogg)
The Annunciation (Female model probably Georgiana B-J)
Study of the head of a girl in half profile looking to the right at the bottom of the staircase, for the Golden Stairs
Flora or Spring
The Wine of Circe
Le Chant d'Amour, second version
Study of a Head of a Woman with her Face raised and her Eyes closed, possibly May Morris
Study of the head of Medusa for the Finding of Medusa, The Perseus Series
The Baleful Head Perseus series, Stuttgart
The Heart of the Rose
Angelo Ministrante, stained glass design for Salisbury Cathedral, and for the tapestry
Portrait of a Girl looking left, possibly May Morris
Study of a Nude female tied to a pillar - Andromeda
The Bath of Venus
Aquarius
Portrait of a Girl possibly May Morris
Desiderium, Female profile looking right, The Masque of Cupid: Model Maria Zambaco
Study of a kneeling woman from behind with right hand raised to head height for the fifth figure from the right in The Passing of Venus (The Triumph of Love)
A study of a crouching female hands to the right, head facing forward for the third figure from the left in The Passing of Venus (The Triumph of Love)
Hope (Spes, Hope in Prison)
The Car of Love (Chariot of Love, Love's Wayfaring) Study for Central figure Stood on Chariot
Study of Plaited hair and Headdress from the back possibly for the seated attendants in The Last Sleep of Arthur in Avalon
Crucifixion stained glass, south-east window of the new chancel, St Philip's Cathedral, Birmingham